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Music critic Greil Marcus, writing of the girl groups in 1992 for The Rolling Stone Illustrated History of Rock & Roll, has noted: “The music was perhaps the most carefully, beautifully crafted in all of rock and roll – one reason why none of the twenty or so best records in the genre have dated in the years since they were made.” Now, more than 50 years old at this writing, the girl group music of the 1960s continues to have wide appeal and staying power.is an American former actress, producer, writer, singer, and comedian.She began her career in various Robert Altman films in the 1970s, including Brewster Mc Cloud (1970), Mc Cabe & Mrs.Miller (1971), Thieves Like Us (1974), Nashville (1975), and 3 Women (1977), which won her the Cannes Film Festival Award for Best Actress and a BAFTA nomination for Best Actress.It was the tale of lower-class, penniless entomologist-naturalist William Adamson (Mark Rylance) who had returned (after a decade) in 1858 from the Amazon in South America with an invitation to reside with his high-class wealthy patron-benefactor - a gentrified country minister and amateur insect collector named Sir Harald Alabaster (Jeremy Kemp), his fat wife Lady Alabaster (Annette Badland) and his large family of seven girls and one son.Shipwrecked, he was able to bring back the only thing saved -- a rare species of butterfly, the Morpho Eugenia.
A list of the most disturbing movies that, for whatever reason, you never, ever want to watch again.
The film was the first to be slapped with an NC-17 rating (later released unrated or R) for one brief scene of male genital nudity (with a semi-erection).
It occurred when actor Douglas Henshall left the bed of a woman and pulled on his pants with his penis remaining semi-stiff.
She met Robert Altman when he was shooting Brewster Mc Cloud (1970) on location. She said, "I got tired of arguing, and thought maybe I am an actress. Miller (1971), the daughter of a convict and mistress to Keith Carradine's character in Thieves Like Us (1974), a spaced-out groupie in Nashville (1975), and a sympathetic Wild West woman in Buffalo Bill and the Indians, or Sitting Bull's History Lesson (1976).
Director/co-scripter Philip Haas' controversial, visually-striking costume drama, an adaptation of A. Byatt's novella titled Morpho Eugenia, was set in Victorian England.